Persuasion in Persian Narrative: A Comparative Analysis of Metadiscourse Markers in Narrative Texts Based on Aristotle's Persuasive Triangle

Document Type : Original Article

Authors

1 Department of Linguistics, Marv.C., Islamic Azad University, Marvdasht, Iran

2 Department of English Language, Marv. C., Islamic Azad university, marvdasht, Iran

Abstract

Systematic study of the linguistic instruments of persuasion in literary narrative, through the integration of discourse analysis models and traditional rhetoric, provides the basis for a scientific explanation of the role of extratextual factors such as gender in shaping the argumentative structures of the text. The present study, adopting a discourse-analytic approach and drawing on Hyland’s (2005) model of metadiscourse markers and Aristotle’s persuasive triangle—logos, ethos, and pathos—examines the mechanisms of persuasion in Persian narrative in four major works of contemporary Iranian literature: Savushun by Simin Daneshvar, Khabe zemestani by Goli Taraghi, Cheshmhayash by Bozorg Alavi, and Az ranji ke mibarim by Jalal Al-e Ahmad. The corpus consists of the online texts of these works, and the data were analyzed using statistical tests to assess gender differences and interactive/interactional patterns. The findings showed that male authors make significantly greater use of interactive markers—transitions, frame markers, evidentials, endophoric markers, and code glosses—which are consistent with logos-oriented persuasion and argumentative organization. By contrast, female authors make significantly greater use of interactional markers, particularly self-mentions, strengthening ethos and emotional connection with the reader, namely pathos. At the level of individual works, Az ranji ke mibarim was the most logos-oriented, Savushun the most ethos-oriented, Khabe zemestani the most pathos-oriented, and Cheshmhayash the most balanced. The results confirm the role of gender while emphasizing personal style and narrative discourse type in shaping persuasion.Therefore, metadiscourse markers, beyond organizing the text, are indicative of the ideological and stylistic choices of authors.

Keywords


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